BLIZZARD: A SEBASTIAN SCOTT NOVEL IS HERE!

We interrupt the postings about NaNoWriMo/NaBloPoMo to bring you this important message:

 

Blizzard_Cover_for_Kindle

My new book, Blizzard, drops today! *hits my Nae Nae* Since it’s a different genre, I’ve written it under a pen name, Tee Emdee (I have an author page for that pen name on Amazon and everything!).

I’ve been working on this before and during NaNoWriMo/NaBloPoMo, and it’s finally out to the masses…just in time for some holiday reading (Veterans’ Day, Thanksgiving…it also makes a nice Christmas or Hanukkah gift! 😀 )

For those of you who’ve read The Bastille Family Chronicles: Camille (informally known as The Camille Chronicles), I introduce DEA Special Agent Sebastian Scott as a character who ends up playing  a crucial part in the resolution of the story. However, Blizzard takes place about five years prior to the events in The Camille Chronicles, when he was stationed in San Francisco.

From the blurb on the back:

MEET THE FAMILY.

Fresh on the heels of a major drug bust of the designer drug Blizzard, Special Agent Sebastian Scott of the Drug Enforcement Administration takes a long overdue trip home to Brooklyn, New York for a family reunion. What starts out as a pleasant gathering of his large, tightly knit Trinidadian family takes a dark turn as Nigel Pierre, Sebastian’s least favorite cousin, is arrested for possessing some Blizzard of his own. Out of his jurisdiction and with limited time and without his usual resources, a reluctant Sebastian must navigate family dynamics while he finds a creative way to clear his cousin’s name–without his family driving him crazy in the process.

I had a lot of fun revisiting this book. I hope you enjoy reading it as much as I did writing it.

Available in paperback, Kindle, and Nook.

Want to try Sebastian Scott with little commitment? Check out the short story Undercover: A Sebastian Scott story. Only 99 cents!

Tell a friend or three. And thanks for stopping by!

The Social Media Shuffle

I recently consulted a social media expert (who happens to be a member of my sorority, and who also provides social media services to the sorority at the national level) to figure out how to best maximize my exposure. Since this is my first book, and I am a self-published author, I have to work twice as hard in order to gain half the exposure of a traditionally published author.  She reviewed my latest newsletter and recommended that I really work social media (Facebook, Twitter, LinkedIn, Google Plus, etc) to get my name out there.

Well…that sucks. :/

Not because I don’t realize the necessity of this, given the technological strides we’ve made in our society, but because social media management is a full-time job, and it’s hard to do that AND create a product that requires promotion on social media.  Plus, let’s keep it real: I am of a certain age, and have the most basic understanding of social media versus someone who was born with a smartphone in their hand, and with a Tumblr account. I know how to Twit (yes, I said “twit”, as I prefer it to “Tweet”), post on FB, LinkedIn, and Google Plus; I have a Tumblr account that I rarely check. But that’s about it. For all those multi-layered nuances that so many social media experts send newsletters about, well…I’m not on that level, and can’t afford to hire someone on that level right now.

(sidebar: if there are any college students who want to manage my social media for free, holler. Serious inquiries only.).

The good news is, a lot of the products I use are integrated with each other so that I only have to post to one place/site, and it shows up on other sites (Bless you, WordPress!). Still, the social media sorority sister suggested that I actually post unique content to the aforementioned sites, as a way of providing a more intimate feel with my audience.

Prince WTF look lip curl

Lookie here, I pour out my angst, euphoria, on my blog; I have to do it elsewhere too? This is too much for my little life. But alas, if I want to be marketable, it’s a sacrifice I’ll have to make…kicking, screaming,and Twitting all the way.

Oh, and I now have an official Amazon.com Author Page. Check it out!

Thanks for stopping by.

 

Now The Real Fun Begins…

I’ve had a (successful) pre-release of The Bastille Family Chronicles: Camille (informally known as The Camille Chronicles). My official release was today (yay!). I’ve gotten overall positive initial feedback.

Now the real work begins: waiting.

Pre-release offers that were purchased will be winging their ways to their purchasers within the next week. The word about my book is making its way through the general public on a larger scale now. It takes a few days for purchases to show up on my royalty statements, so I’m not sure how many books have been sold yet in the world. And, of course, no one has posted reviews of my book, so I don’t know how people have received it.

And so I wait.

Waiting is the hardest part. There is an old saying that, “An idle mind is the devil’s playground.” I’m not cooking up assassination plots or anything, but my mind thinks of more insidious things. Like never selling a book. Or that no one will like it. Or that I am a legend in my own mind. Or I will end up in the bargain bin, or Better Book World, or one of the free e-books available on Kindle or Nook.

greater artist greater doubt

Self-doubt is part of being a writer. Indeed, it’s part of any creative person. Our work is so subjective, and is so much more likely to be chewed up and spit out by the mouth of public opinion. As a writer, our egos are paradoxically sensitive and tough; sensitive to criticism, yet tough enough to keep taking it, rejection after rejection. Like throwing spaghetti against the wall and hoping it will stick.

I sit here and wait, and hope that my strand of spaghetti sticks against the “read this book” wall. And try not to freak out while working on the next book (which entails pushing back the thoughts of, “Are you sure that people will want to read another book by you?”).

Thanks for stopping by.

The Business of Writing and Publishing

I have been caught up in the pre-release, and now official release, of my book The Bastille Family Chronicles: Camille (informally known as The Camille Chronicles). As part of that pre-release, I’ve had to step out of the writer zone and into the business zone.

As creative folks, we don’t really sweat the details of the business side. Indeed, that’s what makes signing a publishing contract so attractive: someone else deals with all that other stuff (marketing, accounting, etc) while you create. If we as artists (as a writer, I’m definitely addressing other writers but the same applies to other artistic media) are to really gain control over our work and reap the monetary benefits accordingly, we have got to get into the business of things.

From calculating shipping costs, to the amount of discount I could give without going broke,  to how could I compete with Amazon…all this required a stretching of skills I didn’t know I had;  there was a reason I wasn’t a business major in college!  Even the cost of publishing: purchasing ISBNs (even if you do it through Amazon), the cost of graphic design, the cost of editing, the cost of website design…these things add up, and since writing is my primary livelihood right how, I have to figure out how to make it pay the most to cover my basic needs, and then some.

God forbid if I need an attorney, for whatever reason. Attorneys need to eat too and while I probably won’t hire anyone who bills $500 and hour and up, even $100/hour can be daunting, especially when you tack on the price of a retainer.

Then there’s the question of hiring an accountant. I am a writer, but I am also a small business, publishing under my own imprint. I need to be aware of various tax breaks, the benefits of forming a corporation (or not), and things like that. Business accounting is  a lot different than personal accounting, especially when it comes to tax time in April. And I am not trying to end up on the wrong side of an IRS audit.

I don’t yet know how successful my fledgling business acumen will prove to be; I am just focused on getting the book out there and hoping that people like it enough to 1) recommend it to others and 2) want to buy the next one. But this is definitely an education, and I am understanding now why publishing services, etc charge what they do.

 

Thanks for stopping by.

Dress You Up In My Love: The Appearance of Your Self-Published Book

While I’m technically not releasing my book until Monday, August 4, it is actually listed for sale on Amazon/CreateSpace, Kindle, and Nook (shhhh…). Some of my friends did their own searches and found the links, and purchased the book (both versions, in some cases) anyway. Gotta love proactivity! I and my royalty statements thank them. 😀

Anyway, I asked one of my friends how the actual book looked, since my copies won’t arrive until next week. She told me that overall, it was a very solid, professional-looking book (and as an avid reader, she would know), and pointed out some things that, while not glaringly obvious, that she noticed. One of those things she mentioned irritated me because it would have occurred on the production end of CreateSpace, being that the proof looked just fine on my end. Grrrrr…

Which goes to show that the (free) digital proofing system isn’t always foolproof. One can always order a copy of a physical proof (for a small fee), but I would suggest this if you only have minor changes to make and have plenty of time before your publication date.  One of the things I love about today’s self-publishing technology is the ability to do everything online. But in light of my friend’s comments, I’m thinking that for the next book, I may go for the physical proof to see how it really looks and feels in the hands. Which means that I will need to finish the book (including rewrites, extra eyes on it by my pre-publication reading group, cover design, etc) way before I plan to release it.

Technology is both a blessing and a curse. Sometimes, it’s best to go analog in a digital world.

Thanks for stopping by.

 

 

It’s Almost Here! The Camille Chronicles Pre-Release

Hi all,

It’s almost here! The release of The Bastille Family Chronicles: Camille (informally known as The Camille Chronicles ) occurs on August 4, 2014

 

Camille ebook cover

I’m excited, nervous, and glad. It’s been a long time coming…fourteen years, to be exact. The print copy will be available via CreateSpace/Amazon, and the e-book versions will be available in Kindle and NOOK.

In honor of this momentous occasion, I’m giving my readers the opportunity to get a FREE autographed copy of The Camille Chronicles. You just pay shipping, and I will send it to you as soon as the book arrives to me from the printer.

On the day of release, the regular price will be $14.95, no autographs. Or $16.96 plus s/h, if you want it autographed.

Free…$14.95…no-brainer! 🙂

If you’d like your FREE autographed copy (you just pay shipping), you can order securely here. Please make sure that you specify the proper shipping address, and how you’d like your name spelled. Please understand that this offer will ship after the August 4 release date.

You have six (6) days to take advantage of this offer!

Offer expires Saturday, August 2, 2014 at 11:59 p.m. EST

**the listed shipping price is for USA orders only. If you are ordering from another country, please send me an email so that your shipping costs will be calculated accurately.

Thank you all for following my brain droppings over the past couple of months and, as always, thanks for stopping by.

The Bandwagon Syndrome (or, what NOT to write)

A friend forwarded me this link about humorous writing advice from The Worst Muse. After chuckling over the truthful absurdity of it, I was a bit sad because this is but an inkling of how our literary world functions.

Admit it: how many times have you seen a popular book spawn a lot of not-so-popular copycats? One need look no further than the Twilight series (vampires amok!), The DaVinci Code, and the Harry Potter series to identify the plethora of wannabes in their wake. Or even TV shows doing the same (zombie stories in a post-apocalyptic society are the new black, thanks to The Walking Dead). Kinda like the misfit kids in high school, who tried their best to be one of the cool kids.

It goes beyond plot devices (teenage vampires with lots of angst, search for historical /mythical relics, normal kid realizing s/he was actually a magician, race to save the world/town/country from imminent destruction), but is more widespread in characterization. If you go to BookBub, Choosy Bookworm, or even the free e-book sections of Amazon and Barnes and Noble, you will find many books with detectives (preferably broke-down, retired, or otherwise seeking redemption), FBI/CIA/undercover spy/agent, ex-military, attorneys. Or accidental sleuths such as housewives, new mothers, fashionistas, chefs, caterers, and the like.

I know there’s nothing new under the sun, but DAYUM. :/

At first, I blamed the mainstream publishing industry. Its corporate business model is predicated on the replication of a successful book, in any iteration, until it is no longer successful. Kinda like how a virus replicates until it outgrows its breeding ground and is forced to seek a new one; lather, rinse, repeat.  But I see a lot of the aforementioned among self-published authors, as well.

They should have never given folks the ability to copy/paste. Or, for that matter, computers, increased technology, and the greater ease of self-publishing. There was a lot less of this blatant copycatting when books were actually written on typewriters, or by hand.

It’s one thing to take a popular theme and put your own spin on it. It’s a whole ‘nother story (no pun intended) to write something very similar to what’s already out there (and likely glutting the market). It’s as if people are taking the copy/paste function way beyond where it was intended to go. It’s easy to fool oneself into thinking that if one element is changed, then the story is different (e.g,, instead of a mad race with a male university professor to find a historical artifact through Italy, a la The DaVinci Code, there’s a mad race to find a historical artifact through Egypt, with a female archaeologist.).

No. Just…no.

Reminds me of the end-of-movie scene in The Five Heartbeats, where the brothers tell Eddie King that they are starting their own label ( “…instead of Motown, we’ll be…Frotown!”) and they won’t just rap, but they’ll “…rap Country and Western!”. Meanwhile, they wore Run-DMC-type, 1980s  outfits of thick, gold rope chains, Kangol floppy hats, and adidas tracksuits.  (I wish I could find the scene clip on YouTube, but alas…)

I say all this to say: originality still rules at the end of the day, so embrace it.

Thanks for stopping by.

 

 

Overload: The Devil’s in the Details

I was checking my spam folder when I came across an email from a POD publisher I’d once considered. I re-read the pitch, the benefits, the ratings, etc. Then I thought about the various things they offered versus the price, and all of that versus what I needed to do (Ingram distribution? Production file ownership? Amazon and Nook? What about Kobo, Sony, Etc? Smashwords?) And how am I going to start my PR stuff for maximum exposure? Will my graphic designer get what I need done in time?

AAAAAAAAAGGGGGGGHHHHHHHH!!!!!!

Make_It_Stop

This mental mash-up reminded me of a similar state of mind last night, when I agonized over the date of a scene setting. It had to be correct, and I did calculations to make sure it was. I was so obsessed with this one small detail (and since it was only the first draft, I had plenty of time to correct it down the road), that I almost missed a deadline.

Self-publishing, while rewarding in the end, is a hard road. Unlike traditional publishing where you sign a contract, deliver your manuscript, and more or less keep it moving until time for the first author event, a self-publisher has to do EVERYTHING–and often on a less-than-shoestring budget.

Then there’s the fact that, as I mentioned in a previous post, your book needs to be good enough to encourage someone to not only buy this book, but future books. It’s imperative to bring your A+ game, especially if you’re a first-time (solo) author, as I am.

I know all this. I’ve researched various self-publishing options for the past year. Upon further inspection of the POD publisher’s package, I realized how the fees broke down and how I could achieve the same results without killing myself.

In short, there was no reason for me to freak out.

Except my publishing date draws nearer every day, and that is a scary yet exhilarating feeling. As the day draws closer for me to put my baby out there for all to see, criticize, ridicule, and hopefully enjoy, it’s easy to find something–anything–upon which to vent my anxiety. Whether it be a small plot detail or the price needed to make a decent profit, freaking out is becoming more the rule than the exception.

I have to keep reminding myself that everything will work out, that I’ve planned for this, and I am doing what needs to be done. I got this. Easier said than done, but infinitely preferable to curling up in a fetal position in the corner.

Thanks for stopping by.

 

Resistance is Futile: Amazon and the Strong-Arming of Corporate Publishing

There has been much ado about Amazon‘s attempts to get Hachette Publishing to lower their book prices. Some come squarely down on one side (Yay, major publishers!) or the other (Yay, Amazon!). Most don’t really give a flying fig, unless they are authors of the books being “delayed”, or people trying to purchase said books; the only concern is their God-given right to discounted prices.

[Still wondering what’s going on? Here’s a quick recap of this publishing “Clash of the Titans”]

A friend of mine emailed me to ask where I sat on this whole issue. Having had my own tangles with mainstream publishers, and knowing of others who have as well, I’m rolling with Amazon at the moment. Granted, Amazon will eventually turn to a less-benevolent form of operation (corporations being what they are), but right now, they are the BFF of a writer. Why, may you ask? Get comfy, and I’ll tell you. 😉

As an author, I have long been dismayed with the direction of the major publishing houses. I know plenty of authors (especially those of color) who have left major houses and mainstream publishing contracts, in order to self-publish. Publishing houses don’t do what they used to; they don’t throw their resources (PR, editing, marketing, etc) behind authors (especially new authors) unless you are a Stephen King, Eric Jerome Dickey, James Patterson, Michael Eric Dyson, Cornel West, Bill O’Reilly, or a big name that is guaranteed to earn back the six- or seven-figure advance given.  Some new authors aren’t given an advance at all or if they are, it’s relatively paltry. And, the mainstream publishing industry has a long-standing practice of showing preference to white authors, with the lucky Asian slipping in to give some diversity. This is a reflection of the people who make the decisions as to who and what will be published.

Amazon makes it very easy to get a book out there, as there is no one (usually a clueless , sheltered someone who believes in the “if it ain’t broke, don’t fix it” school of book sales/procurement) to tell an author that their work isn’t good enough to be published. Granted, that leaves the door open for books ranging from extremely crappy (by that, I mean disjointed plots, remixed plots, typos, grammatical errors, etc.) to very good to hit the market, but the purpose is that anyone can put their book out there, no matter how bad or good it is (“good” and “bad” being subjective terms. One’s man’s trash, and all that)
Now, Amazon has its own way of slipping a noose around an author’s neck. Case in point: CreateSpace  is the self-publishing arm of Amazon, where you can publish your books via e-book or physical book. When a book is published, it is assigned an ISBN (International Standard Book Number–the long number on the back of the book, right above the barcode). The barcode is associated with that ISBN, and that’s how book sales are tracked in stores. A true self-publisher will buy their own ISBN (you can actually get this through CreateSpace for an extra $10, or purchase it from Bowker [the company that distributes ISBNs] for $250 each, or a block of 10 for $325); this enables YOU to get the profits and sales records in YOUR name. You use a different ISBN for each book format, even if it’s the same title: an e-book will have one ISBN, a regular book will have another, an audiobook will have its own as well.  One can pay the $10 through Amazon and retain rights to use that ISBN wherever, because you are the publisher. Or, for those who have already purchased ISBNs, they can just add their own and still publish through Amazon simply because it’s so easy to get those books out there and ready. BUT…Bowker (the ISBN people) is just inflating the price in an effort to get people to buy in bulk: $250 for ONE ISBN, vs. $325 for TEN (which then comes out to $32.50/ISBN). They are counting on most people saying, “Wow, I might as well buy ten.” But for those who don’t have $250 or $325, Amazon is the best option (no one else is offering ISBNs for $10…as long as you publish through Amazon).

Another temptation for Amazon authors: the book can be for sale within 24 hours of uploading the PDF file of the book. Compare that to waiting nine months (at least) for publication through a traditional/mainstream publisher, or a few months for an independent publisher.
The kicker: most self-published authors are all about minimizing costs. They will take the free covers offered by CreateSpace, and the free ISBN provided (which makes Amazon the publisher, not you). When you do this, though, that ISBN can ONLY be used via Amazon; you can’t list your book on Ingram (which is the go-to and largest book distributor in the world; all bookstores are hooked into it, since that’s how they order books), can’t sell it on your personal website unless it links back to Amazon. So Amazon created this easy, comfortable space for authors, and many are content to swim in that comfort zone. Another way Amazon locks authors in is royalties. Right now, authors get 70% of the royalties from sales of their book through Amazon, but that will probably change. Still, it’s better than what an author (especially a first-time author) will get from a major publishing house. And, like I said earlier, a lot of the authors on Amazon either have gotten shot down by a mainstream house, or figure why should they do everything and let those publishers get most of their money? In this way, Amazon is garnering a lot of loyalty.
So both sides have their issues, but right now self-publishing is the way to go, and you’ve got to give it up to  Amazon for its hustle and one-stop publishing model. I encourage anyone seeking to write a book (any kind of book) to do for self, and Amazon just may be the easiest way to get your foot in the door.
Agree? Disagree? Sound off in the comments below.
Thanks for stopping by.